Saturday, September 29, 2007

Featured Baguazhang Article 9-29-2007

Intro to Baguazhang Eight-Diagram Palms

by
Ted Mancuso

To many people Ba Gua is the most exotic martial art. It can also be one of the most confusing. Part of this confusion derives from the richness of the style. It came late (1860's) on the martial scene and folded many of Kung Fu's best ideas into a very small space. Ba Gua is a miniaturized martial art, almost a nano-art--not that the information is small, but that it is extremely compact. Studying Ba Gua can be like listening to a world famous teacher who is totally fascinating but whose ideas and words come so fast and brilliantly you are dazed rather than enlightened.

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Saturday, September 8, 2007

Featured Baguazhang Article 9-7-2007

Baguazhang Eight-Diagram Palms Shadow Boxing

by Cardinal


"The power of the eight diagram palms knows no bounds -- the palms seem to strike even before the hands move. When the hand threads upward, it's like a hundred birds paying tribute to the phoenix; when it threads forward, it's like a tiger swooping downhill. Walking round and round, he is like a stray wild goose that has drifted from the flock;


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Friday, August 24, 2007

Featured Baguazhang Article 8-24-2007

The Single Palm Change: Baguazhang's Fundamental Movement

by Mark Jensen -- Student


The principle training method used by the Baguazhang system is walking the circle. The student holds a static posture from the waist up, facing the center of the circle, while from the waist down they walk around in a circle. A practice session will start off by walking the circle in either the clockwise or the counterclockwise direction. Whichever direction is used, there must exist a way to change that direction and walk the other way. This is where the Single Palm Change comes into us
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Featured Baguazhang Article 8-17-2007

Thoughts on Learning Baguazhang

By Micheal Babin

Excerpt: "Good bagua, no matter what its style—and there are many—emphasises balance and relaxation (sung), the development of twisting strength and whole body power, as well as the use of the mind to create intent, both for healing and martial purposes. The solo aspect of its circular practice can be strangely beautiful, full of graceful twisting movement, sudden stops and changes of pace and direction, swooping and lifting actions, as well as explosive movements"

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